194. Female dominance—Gone! —Part 4

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Our mothers were right. We become like those with whom we associate. This includes the music we choose.

From rock to rap, the pop music industry is the enemy of females. Or, it should be. It’s male-created, male-centered, male-dominated.

·        Mission—Make money by exploiting sex.

·        Strategy—Promote greater sexual freedom.  

·        Tactic—Personalize sex for the fan. Excite female senses with rhythm, lyrics, visuals, scents, mosh pits.

·        Tactic—Promote sexual adventurism to lower moral standards, e.g., promote eroticism.

·        Tactic—Popularize deviancy to lower norms of behavior, e.g., induce public fellatio. (Note that males retain self-respect. They don’t stoop to public cunnilingus.)

·        Tactic—Break down female inhibitions with name-calling. Mock feminine values, demean females, belittle their hopes and dreams.

Females abandon their natural feminine power. They accept and help popularize this enemy to their gender. This leads directly to more dumpees, exes, rape victims, battered women, unrequited love, girls gone wild, female chauvinist pigs. The future looks worse, as prepubescent girls sashay in erotic get up even in church.

Instead of fighting back, females become more like guys—in thought, emotions, and behavior. They assimilate with their conquerors and lose their gender identity. New generations deepen this crossover.

Females associate with the testosterone-driven pop culture and become like those in it—just as our mothers predicted.

[More about the disappearance of female dominance appears in posts 173, 159, and 151. Scroll down or search by the number with dot and space following it.]

 

  

 

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