671. A man’s natural pursuit of other females does not stop until one woman so captures his respect and captivates his imagination that he devotes himself to her alone. [234]
672. It’s a boob paradox. Women publicly appeal directly to the sexual interests of men. They capture men for sex, but they can’t hold one for long after infatuation, romantic love, and lust fade in a year or two. [234]
673. Men call it romance, whatever is required to initiate foreplay or sex. Women know romance as the special attention he pays her when sex is not at stake. [234]
674. She marries expecting him to change, but he doesn’t. He marries expecting her not to change, but she does. Both get what they don’t want. [234]
675. Erotic attire has one-person value: It puts the male mind on track to conquer or to show her off. Neither track is about her true self. [235]
676. After nakedness and conquest, there’s little left. Her ad campaign dies with conquest, as it kills his imagination except for future arousal. (Conquest is the man’s end-game. Booty sustains him between conquests.) [235]
677. Dating as a sex object plants the seed of booty for him but maybe only something better for her. [235]
678. Men want to move toward conquest at their pace. More mystery, modesty, and doubt about scoring slow it to her pace. [235]
679. Suggestive attire is more effective than erotic attire at energizing the imaginative side of the male mind. (The more he has to imagine, think, plot, and worry, the better for her.) [235]
680. The appeal of boobs lies in the challenge to get to them. Once uncovered, conquest is assured. [235]